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''Missions Héliographiques was a 19th-century project to photograph landmarks and monuments around France so that they could be restored. The project was established by Prosper Mérimée, France's Inspector General of Historical Monuments and author of ''Carmen'', in 1851. The intent was to supplement Monument historique, a program Mérimée started in 1837 to classify, protect and restore French landmarks.〔Rosenblum, Naomi. "Documentation: Landscape and Architecture." ''A World History of Photography.'' Ed. Walton Rawls and Nancy Grubb. 3rd ed. New York: Abbeville Press, 1997. 100.〕 Mérimée hired Edouard Baldus, Hippolyte Bayard, Gustave Le Gray, Henri Le Secq and Auguste Mestral 〔Rosenblum, p. 100.〕 to carry out the photography, with the aim that architect Eugène Viollet-le-Duc could eventually restore them. Although the daguerrotype originated in France, Mérimée preferred the calotype, which offered more detailed textures.〔Fulton, Marianne. European Architecture. J 362E. Harry Ransom Center, University of Texas. 31 Jan. 2008.〕 Mestral and Le Gray photographed areas southwest from Paris, Le Secq the north and east. Bayard, who chose to work with glass negatives instead of paper, went west to Brittany and Normandy. Baldus covered the south and east, including the Palace of Fontainebleau.〔(Mission Héliographique, 1851 | Thematic Essay | Timeline of Art History | The Metropolitan Museum of Art )〕 While several of the images are classic examples of early photography, the overall results did not meet requirements, often portraying the decaying buildings artistically and obscuring their need for restoration.〔 * Notes ==References== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Missions Héliographiques」の詳細全文を読む スポンサード リンク
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